George Clooney has ‘ER’ reunion with Julianna Margulies, Anthony Edwards and Noah Wyle at Broadway’s ‘Good Night, and Good Luck’

New York Post - Apr 5th, 2025

George Clooney, at 63, reunited with his former 'ER' co-stars at the Broadway premiere of his play 'Good Night, and Good Luck' on April 3. The event marked Clooney's official Broadway debut, with Julianna Margulies, Anthony Edwards, and Noah Wyle among those attending the afterparty at the New York Public Library. This gathering took place 16 years after 'ER' concluded, generating nostalgia among fans of the iconic medical drama. Clooney's play is an adaptation of the 2005 film about journalist Edward R. Murrow's confrontation with Senator Joseph McCarthy, with Clooney now starring as Murrow in the stage version.

The play received mixed reviews, with some critics highlighting the production's lack of lasting impact despite its grand set and star power. Margulies, who has recently appeared on Broadway, offered Clooney encouragement and advice on the challenges of performing live theater. The absence of Clooney's wife, Amal, at the premiere was noted, with Clooney explaining she was home caring for their twins. The reunion highlighted both the enduring legacy of 'ER' and Clooney's ongoing evolution as an actor willing to take risks in the theater world.

Broadway Er Noah Wyle Anthony Edwards George Clooney Good Night, And Good Luck Julianna Margulies Edward R. Murrow Joseph Mc Carthy

Story submitted by Fairstory

RATING

8.2

Fair Story

Consider it well-founded

The article is a well-crafted piece of entertainment journalism that accurately reports on a notable event involving George Clooney and his 'ER' co-stars. It excels in clarity and readability, making the content accessible to a wide audience. The use of credible sources and direct quotes enhances its accuracy and reliability. While the article provides a balanced view of the event and the play's reception, it could benefit from a broader range of perspectives to enrich the narrative. Its focus on celebrity culture limits its public interest impact, but it remains timely and engaging for fans of Clooney and 'ER.' Overall, the article is a reliable and informative account of Clooney's Broadway debut and the associated 'ER' reunion.

Accuracy

The story accurately reports on the reunion of George Clooney and his former 'ER' co-stars at the Broadway premiere of 'Good Night, and Good Luck.' The details about the attendees and their roles on 'ER' are consistent with known facts. The timing of the 'ER' finale is correctly stated as April 2, 2009, which matches the 16-year gap mentioned. Julianna Margulies' recent Broadway involvement and her advice to Clooney are also accurately portrayed. The article correctly identifies the play as an adaptation of the 2005 film, and Clooney's role shift from Fred W. Friendly in the film to Edward R. Murrow in the stage version is well-documented. The mixed reviews and Amal Clooney's absence are explained with direct quotes from Clooney, lending credibility to these claims.

Balance

The article provides a balanced view of Clooney's Broadway debut, covering both the reunion aspect and the critical reception of the play. It includes perspectives from Clooney, Margulies, and a theater critic, offering a range of viewpoints. However, it could have included more insights from the other 'ER' co-stars or additional critics to provide a fuller picture of the event and the play's reception.

Clarity

The article is well-structured and clear, with a logical flow that guides the reader through the main event and related details. It uses straightforward language and effectively separates different sections, such as the reunion, the play's reception, and personal anecdotes. The tone remains neutral, maintaining clarity throughout.

Source quality

The article cites reputable sources like 'People' and mentions Clooney's appearance on 'The Late Show with Stephen Colbert,' which are credible references. The inclusion of direct quotes from Clooney and Margulies adds to the reliability. However, the narrative could benefit from more diverse sources, such as additional theater critics or industry experts, to enhance the depth of reporting.

Transparency

The article is transparent in its use of quotes and references to specific events and sources. It clearly attributes statements to Clooney and Margulies, providing context for their comments. However, the methodology behind the selection of reviews or the criteria for the 'mixed reviews' claim is not fully explained, which could enhance transparency.